Lee Kuang Yu’s creations crosses cultural and historical boundaries, representing a cultural market in which traditional Buddhist and Daoist thought intertwines with modernism. His works create a unique language with incomparable skill, style and materials which in turn embodies the complex nature of Taiwanese art while representing the essence of Taiwanese culture. On the level of sculptural language, his work opens up the enclosed structure of sculpture with his characteristic techniques. It creates the unique form, style and concept of the “void”and demonstrates ‘’the concept of silent void in the Oriental culture’’ that embodies the state of unifying the object and the self. It not only displays aesthetic values but also reveal the artist’s contemplation on the state of life at that moment., conveying contemporary social implications.